Monday, September 24, 2018

Dominican Rite Missa Cantata, Oakland CA, October 6


This is a simply a reminder that the first of the Dominican Rite Missae Cantatae celebrating the First Saturdays of the current academic year will be celebrated on October 6 at St. Albert the Great Priory, Oakland CA at 10:30 a.m.

The celebrant will be Fr. Christopher Wetzel, O.P., who was ordained last June.  The music and servers will be provided by the student friars of the Western Dominican Province.  The St. Albert the Great Priory Chapel is located at 6170 Chabot Road, Oakland, CA 94618, with ample parking available on the street or the basketball-court parking lot.

Saturday, September 22, 2018

Reprint of the Proprium Officiorum Ordinis Praedicatorum (1982)


At the request of a number of Dominican friars of my Western Dominican Province, Dominican Liturgy Publications has produced a reprint of the Proprium Officiorum Ordinis Praedicatorum of 1982 (i.e. the Latin Dominican propers for the Liturgy of the Hours), which has been out of print for many years.  A copy may be ordered here.
 
I believe that this book will be of great use for not just Friars, nuns, and sisters, but also for members of the Dominican Laity who want to pray the Liturgy of the Hours in Latin with Dominican propers and other elements.

Before ordering a copy, you should read the product description carefully so you understand the nature of his reprint.  Apparently the original was never put under copyright, so it is public domain.

Monday, September 10, 2018

Origins of the Stabat Mater

Eight years ago, I published at Dominican Liturgy three posts on the then new discoveries about the origins of the Stabat Mater.  As the Feast of Our Lady of Sorrow is coming up this week, I thought is useful to gather these earlier posts together.

I thank Fr. Innocent Smith O.P. for calling my attention to the original article announcing the discovery of the famous Stabat Mater being used as a sequence in the Gradual produced by a convent of Dominican nuns in Bologna in the later thirteenth century. This is by far the earliest known manuscript example of this hymn used as a sequence rather than as a devotional hymn. It has been commonly believed that the hymn only became used as a sequence in the late middle ages. It is also interesting that the melody provided matches neither the received Roman one nor that found in the printed Dominican books. This text is found in Bologna: Museo Civico Medievale MS 518, fo. 200v-04r.

The news was published in Cesarino Ruini, "Un antico versione dello Stabat Mater in un graduale delle Domenicane bolognesi," Deo è lo scrivano ch’el canto à ensegnato: Segni e simboli nella musica al tempo di Iacopone, Atti del Convegno internazionale, Collazzone, 7-8 luglio 2006, ed. Ernesto Sergio Mainoldi and Stefania Vitale, Philomusica On-line, 9, no. 3 (2010). Those who would like the full text of the chant may find it at the end of this article.

For those who do not wish to read the article in Italian, here is the English summary:

The discovery of a Stabat Mater version set to music as a sequence in a late 13th-century Gradual from a Bolognese Dominican nunnery, makes it possible to advance new hypotheses about the origins and history of this renowned text. Untilnow there was no evidence that it was used as a sequence before the mid 15th century. The analysis of the piece highlights previously unidentified peculiarities regarding the historical and the liturgico-musical context in which it was used, whilst the comparison with the wealth of textual variants offered by its complex tradition points to concordances with later sources, mainly originating in Veneto and Emilia. As one of the earliest witnesses of this popular composition (there is only one other contemporary version, also from Bologna, but it is unnotated) there can be no doubt about its importance for textual criticism, and, inter alia, it does not favour the disputable paternity of Iacopone da Todi.

Here is the image of the manuscript with the beginning of the chant.



Careful readers will not that there are textual variants in this version as well. The Dominican Rite used by the friars added the Stabat Mater as a sequence on the feast of our Lady of Sorrows only in the 15th Century, thereby conforming the rite to the Roman, which had already added it. But the melody is not that of the thirteenth-century version. Here it is for comparison:



And here for additional comparison is the first verse with the melody as found in the 1961 Roman Gradual:



The discovery of this manuscript, as explained in the article (in Italian) linked above, shows, by the manuscript date that the traditional ascription of authorship to Jacopone of Todi can no longer be sustained. The date, however, leaves open the possibility, often mentioned, that it is the work of Pope Innocent III.

This new version is interesting for a number of reasons. First, this is the earliest use of the text as a sequence. Until the discovery of this version, it was only known as a hymn until the late middle ages. This manuscript shows that the earliest known use of the text as a sequence was among Italian Dominican nuns in the late 1200s.

Next, the text includes not only a number of verbal variants, but also includes two verses absent from the commonly received version. Those who wish to examine these can download my transcription and compare the text to the received version here.

Even more interesting is the music. As pointed out to me by the nuns of Summit NJ, this ancient sequence borrows, with the exception of one stanza, the melody (cf. verses 19 and 20), the melodies of the Sequence of St. Dominic in the Dominican Rite. There are a number of minor musical variants as well. Those interested might want to compare the music to that found in the Dominican Gradual for the Mass of St. Dominic.


Through the kindness of one of our readers who converted the PDFs of this music into JPGs I am posting below the newly discovered 13th-Century Sequence version of the Stabat Mater for viewing by readers. The PDFs may still be downloaded here.

I am aware that these images are a bit blurry; if you click on them or download them, you will get a clearer image.Perhaps some Dominicans (and non-Dominicans) may want to make use of the ancient version on the up-coming celebration of Our Lady of Sorrows.



Sunday, September 2, 2018

Dominican Rite Sung Masses, SF Bay Area, California


Dominican Rite Missae Cantatae will be sung at the Priory of St. Albert the Great, Oakland CA, the house of studies of the Western Dominican Province, at 10:30 a.m. on the following Saturdays of the Fall Semester:

October 6, 2018
November 17,  2018
December 1, 2018
February 2, 2019

The Mass will normally be that of the Immaculate Heart of Mary, with Propers and Ordinary from the Dominican Gradual. The servers and schola will be composed of student brothers of the Western Dominican Province. I will post the celebrants for these Masses as they are determined.

The St. Albert the Great Priory Chapel is located at 6170 Chabot Road, Oakland, CA 94618, with ample parking available on the street or the basketball-court parking lot.